Micro teach feedback

Going into the micro teach I was confident with my teaching plan, and the prep work I did. I was excited to share with my PGCERT peers.  When complete, I felt ‘flat’- I had questions about my practise and my delivery. With some space and reflection, I have processed the feedback, and I’m motivated to implement positive changes to my workshop sessions.


The learning outcome for my micro teach was:

 ‘Understand lace placement and what it means to the overall design of a bra.’

The micro teach went smoothly. My peers were enthused and participated meaningfully.  At the end, my peers were able to provide an accurate lace placement. I was satisfied that I’ve delivered the session authentically to my natural teaching.

There was lots of feedback – some positive, some constructive.


After the feedback, I was disappointed in my delivery. I’m confident that my workroom environment is an inclusive and equal space for all, so it was hard to hear that I shouldn’t rely on implied consent, and assumption of the social policies we have at UAL.

On reflection, I place too much emphasis on assumption – I assume that the students know about gender, sustainability, inclusion, to name a few. It’s okay to address this with a small statement, to make it clear that we do have a responsibility to address social, societal and environmental issues, and can all work together to have a safe and inclusive space.

It is very easy to jump straight into my fast-paced workshop, without checking in with the students. How are they doing on that day, are they ready to actively engage and listen?


My role is hands on. I use an artefact – a completed sample, to show the students what we are working towards. My students and I work on a shared goal. I demonstrate how to make the sample; they create exact replicas. The learning outcome is to make a sample, and in doing so being able to take this learning and implement it in their own designs independently.

Going forwards, I will include a brief five minutes across each workshop to acknowledge the limitations of the contour industry, to further the students’ independent studies, helping to innovate the industry.

  • This is the way that industry currently produces garments – but does it have to be that way? Can we work to make sustainable choices? Can we choose alternative fabrics that behave in the same way but have a better carbon footprint and air miles?
  • Eliminating the use of the term ‘nude’ to describe a soft pink colour. Skin tones vary and in our efforts to de-colonise the curriculum we need to move away from loaded terms.
  • Inclusion – Lingerie can be worn by anyone respective of gender. Let’s work to make lingerie available to all who wish to wear it.

I will mindfully accept constructive criticism going forwards. The aim of the micro teach was to receive positive and constructive feedback and reflect on our delivery. Using this feedback, I can improve my delivery, being flexible and adjustable in my teaching practise. This will ensure that the students get the best from me, and therefore their best learning outcome.

Micro Teach Plan.

I have created a micro teach checklist to ensure I am ready and engaged on the day.

The microteach plan.


Before the micro teach, as per my check list, I have:

•Scanned a selection of laces / embroideries, and printed them out.

•Imported digital patterns into Adobe Illustrator and made them user friendly for this exercise. Then, printed and cut out from card so they can be handled easily.

•Prepared the materials as per the checklist in the ‘Micro Teach’ plan.

•Created a hand out for the participants to review should they need assistance in the session.


The hand out provided to the participants.

An example of one of the pattern options provided to the participants.

Blog 1 : Workshop 1 & 2, the use of ChatGPT, ‘Brave Spaces’ vs ‘Safe Spaces’.

Before our first workshops, we were allocated a group and a reading. We discussed the paper with our small groups, and then summarised our understanding to the wider class.

I read ‘‘The new life’: Mozambican Art Students in the USSR and the Aesthetic Epistemologies of Anti-Colonial Solidarity’’ (Savage, 2023).

After the reading material was dissected, we agreed that we found it difficult to ‘plough through’ the academic reading. A question was asked to the tutors; ‘Why did you allow us to input the paper into ChatGPT?’  It was proposed that we shouldn’t use ChatGPT as ‘students should be comfortable being confused,’ and in relation to our UG/PG cohorts, ‘Students are no longer able to persist’.

I found the conversation insightful; I enjoyed listening to the opinions about the use of AI within higher education, and its drawbacks. At the same time, I was frozen with guilt; I was the student who asked ChatGPT to summarize. The paper wrote about Marxism, socialism, and ‘art education in the socialist world’. (Savage, 2023, p.1). These are topics that I haven’t encountered before, especially not in my career as a garment technologist.

I used ChatGPT as a tool to fill in the gaps in my knowledge. Its use ensured I could approach a difficult paper with a newly formed understanding of social and political ideologies. It made the reading enjoyable, I could extract the key learnings without getting lost in overcomplicated words, and without having the implied background knowledge of social political happenings in the USSR.  

I struggle to speak up in group sessions as I fear being perceived as wrong, incorrect, or un-educated. In this instance, I did not voice my opinion.

Arno and Clemens speak of ‘brave spaces’ in place of ‘safe spaces’. The Authors critique the idea of ‘Safe Spaces’, which limit the scope for challenging discussions. Re-framing a ‘safe space’ to a ‘brave space’ encourages individuals to engage in uncomfortable conversations, which are necessary for growth and understanding for all involved.

Brave spaces ‘‘allow students to engage with one another over controversial issues with honesty, sensitivity, and respect’’ (Arno and Clemens, 2013, p.135).

By remaining silent I was assisting in fostering the groups’ narrowed view regarding AI. I know now that by voicing my opinion, approaching conversations with the ‘brave space’ mindset, it will allow the group to visualise a different perspective. By not speaking up, I was avoiding conflict, making the space comfortable, and ‘safe’, but denying us the opportunity for a thought provoking debate. That’s not to say my opinion surrounding the use of AI is correct, or there is a ‘right’ or ‘wrong answer’, but I feel that we all could have benefited from deepening the discussion and find a more cohesive conclusion, which isn’t one sided.

‘Some of the richest learning springs from ongoing explorations of conflict, whereby participants seek to understand an opposing viewpoint’. (Arno & Clemens, 2013, p.143).

I believe that we need to embrace new AI technologies such as ChatGPT and allow students to explore and experiment with them. As educators, we should be using new technology to ensure we understand how a student may benefit from it. Seminars in correct and fair use would be appropriate to help guide students recognise ChatGPT as an educational aid; this can’t be done without personally using, critiquing, and testing its limitations.

References.

Arao, B. and Clemens, A. (2013) From Safe Spaces to Brave Spaces A New Way to Frame Dialogue Around Diversity and Social Justice.

Savage, P. (2013)  ‘The new life’: Mozambican Art Students in the USSR and the Aesthetic Epistemologies of Anti-Colonial Solidarity.

Preliminary thoughts

As we exit the Winter break, it felt appropriate to start on the reading journey and try to absorb the following articles, as per homework demands.

  • ‘The new life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anti-Colonial Solidarity. Polly Savage.
  • On the Spectrum within art and design academic practice. Luca M. Damiani.
  • Embracing the silence: Introverted learning and the online classroom. Karen Harris.

I really enjoyed reading the articles but I often had to ask myself ‘what does this mean?’. I had to slowly absorb the information word by word and had to research a lot of the language and words used in order to follow the flow of the articles. I read each article over and over to try and take in as much as possible each time, annotating as I went. I spent 7 hours in the library working through all articles.

This made me anxious and I immediately felt like I was a UG student again, panicking about not understanding what I am reading, and just wanting to create and draw and design and pattern cut!

This time around, as a technician, I understand the purpose of the reading material, I’m working to improve my understanding of how the academic universe works, to benefit my students, something I am passionate about.

I’m making sure I take the appropriate time to read slowly, research alongside the reading, and ensure I ask for help as I need it to understand the theories and practices being discussed.

I’m excited to speak with the rest of the class about the readings and how we have all explored the writing with unique perspectives.

I’m really looking forward to seeing where the journey takes me, I’m eager, excited, and energized wanting to dive right in. I know that as the year progresses, ill be more comfortable with academic reading, language, and will also be reminded of how the students feel as also go through the process one more time.

I also picked up and read the wrong 1A task to start with, but found Teaching practices for creative practitioners. Orr, S & Shreeve, A, very insightful and enjoyed reading and learning about different pedagogies.

Hello!

My name is Jade Gellard, I am the lead Specialist Technician on the BA Fashion Contour Course, at London College of Fashion.

I’m really excited to work through the PG CERT this year.

I hope to learn more about inclusive practices, in doing so learn more about myself, my teaching methods, and implement best possible pedagogies for the students who cross through my studio. This is my fourth academic year with LCF. With each year that passes, I work to update and improve my delivery, and I want to understand how my teaching affects students, in a positive or negative way, and how to continue to improve this.

I’m passionate about reframing technical services at UAL. The strength, knowledge, and resilience that technicians demonstrate day in, day out, 9am-9pm, does not feel widely recognized, or appreciated.

It’s time to view technicians in the same light as academics. I hope that my PG CERT will help to place solid foundations in this field of research, furthering this into the MA when appropriate.